Robert Henri began his career at the Pennsylvania Academy of the Fine Arts, where he studied a curriculum designed by Thomas Eakins and Thomas Anshutz. From these artists he inherited a willingness to engage directly with the unique qualities and imperfections of his subjects. After a trip to Paris, Henri began to incorporate the visual effects of Impressionism into his images, which resulted in a highly original style of painting that represented the modern world with truth and vitality.
Here the artist’s wife wears a glimmering headdress and tunic laden with beadwork. The sharp color contrasts, variations in texture, and changeable brushwork create a dynamism that seems to describe the subject herself.
Collection of Barbro and Bernard A. Osher