United States

O in Persian Costume

O in Persian Costume by Robert Henri
What is the impact of color here?

Here the artist’s wife wears a glimmering headdress and tunic laden with beadwork. The sharp color contrasts, variations in texture, and changeable brushwork create a dynamism that seems to describe the subject herself.

E. pluribus unum (after Rembrandt Peale, George Washington)

E. pluribus unum (after Rembrandt Peale, George Washington) by Ray Beldner, after Rembrandt Peale

What determines the value of a work of art?

This collage was created from approximately 250 dollar bills meticulously arranged, folded, and sewn together to re-create a famous portrait by Rembrandt Peale of George Washington. Beldner’s labor-intensive technique consciously plays on the average viewer’s equation of the hours of labor with value in art. His use of the national motto—e pluribus unum (“out of many, one”)—for the title of the work makes witty reference to the creation of this portrait from many dollar-bill portraits.

E. pluribus unum (after Rembrandt Peale, George Washington)

E. pluribus unum (after Rembrandt Peale, George Washington) by Ray Beldner, after Rembrandt Peale

What determines the value of a work of art?

This collage was created from approximately 250 dollar bills meticulously arranged, folded, and sewn together to re-create a famous portrait by Rembrandt Peale of George Washington. Beldner’s labor-intensive technique consciously plays on the average viewer’s equation of the hours of labor with value in art. His use of the national motto—e pluribus unum (“out of many, one”)—for the title of the work makes witty reference to the creation of this portrait from many dollar-bill portraits.

Portrait

Portrait by Walt Kuhn

What makes performers intriguing subjects for artists?

Beginning in the 1920s, Kuhn focused on the subject of vaudeville and circus performers—in addition to painting intense, modern portraits of performers, he also worked as a designer and director for vaudeville shows and circus acts. Although the young woman in this portrait is unidentified, it is likely that she was a vaudeville or circus performer—her pink and green leotard and her black ribbon choker resemble the costumes worn by some female entertainers of the period.

Mt. Tamalpais

Mt. Tamalpais by Teikichi Hikoyama

What emotions do these colors inspire?

A reclining female figure rests on Mount Tamalpais, a detail inspired by the legend of a Native American princess who, abandoned by her lover, ascended the mountain. When she died of heartbreak, the mountain assumed the form of her grieving body. Incorrectly attributed to the Coastal Miwok Indians, the story was actually derived from Dan Totheroh’s play Tamalpa, first performed on the mountain in 1921.

Seated Nude

Seated Nude by Guy Pène du Bois

Would you describe this painting as idealized or realistic?

Du Bois’s work is easily recognizable for its stylized, sculptural treatment of the figure, as seen in this painting of a seated nude. The composition’s strength lies in its simplicity, attesting to his belief that the true realist explored what was essential and indefinable about their subject, in his words “a shameless fellow completely unafraid of reality . . . a fellow with eyes to see and a heart to accept and appreciate the contours of his own kind.”

Seated Nude

Seated Nude by Guy Pène du Bois

Would you describe this painting as idealized or realistic?

Du Bois’s work is easily recognizable for its stylized, sculptural treatment of the figure, as seen in this painting of a seated nude. The composition’s strength lies in its simplicity, attesting to his belief that the true realist explored what was essential and indefinable about their subject, in his words “a shameless fellow completely unafraid of reality . . . a fellow with eyes to see and a heart to accept and appreciate the contours of his own kind.”

Continuity

Continuity by Charles Sheeler

What factories have you visited?

In this painting, a few bursts of cobalt and maroon punctuate a pale and ethereal palette. The outlines of factory catwalks and furnaces merge together, forming an intricate pattern of abstract forms—an effect heightened by the silvery, reflective surfaces of pure Plexiglas that Sheeler left at the edges of some of the painted shapes. Although this scene feels quiet and still, it depicts an industrial site that would usually be teeming with noise, energy, and busy workers.

Wave

Wave by Bror Julius Olsson Nordfeldt

Where is geometry found in nature?

Nordfeldt was attracted to the sea, and it was as a constant source of inspiration. He painted the oceans on both coasts of the United States, including this work. After traveling to the California coast, his wife, Emily, admitted that “the resulting paintings were . . . less rigid, have movement and vibrancy and almost a joyfulness and gaiety about them.” Toward the end of his life, he stripped down his dreamlike compositions to semi-abstract shapes or “idea-bones” in order to express emotion.

Wave

Wave by Bror Julius Olsson Nordfeldt

Where is geometry found in nature?

Nordfeldt was attracted to the sea, and it was as a constant source of inspiration. He painted the oceans on both coasts of the United States, including this work. After traveling to the California coast, his wife, Emily, admitted that “the resulting paintings were . . . less rigid, have movement and vibrancy and almost a joyfulness and gaiety about them.” Toward the end of his life, he stripped down his dreamlike compositions to semi-abstract shapes or “idea-bones” in order to express emotion.