Can an artwork have rhythm?
Prendergast humbly entered the shimmering world of 19th-century Parisian art by working on a cattle boat for his passage to Europe in 1884. The young artist stayed for three years, absorbing the influence of Impressionism, which led him to use color to emphasize form and rhythm in an intensely personal mode of expression. In The Holiday, Prendergast painted a tapestrylike scene, outlining figures, trees, and water in lively, dancing brushstrokes.
Maurice Brazil Prendergast
Born in Newfoundland, Maurice Prendergast came to America with his family at the age of ten. After living in Boston for some time, he left America to study at the Académie Julian in Paris. In Europe, Prendergast was exposed to the myriad art movements and styles of the beginning of the twentieth century, though he was most influenced by the post-Impressionist style. Returning to America, Prendergast settled in New York City, where he perfected his production of kaleidoscopic images of city life.
Oil on canvas
Museum purchase, gift of the Charles E. Merrill Trust with matching funds from the M. H. de Young Museum Society